Stories are filled with unlikely occurrences. It’s
hard to avoid unless you’re writing about very mundane events. But no matter
how fantastical things get, and how willing the reader is to suspend their
disbelief, it’s the writer’s responsibility to make what’s happening on the
page feel believable.
And there are plenty of attributes of the good liar
that can prove useful in doing this.
A lot of which comes down to not what you say but
how you say it.
Some people find lying very easy. It usually takes
a lot of practice and a sociopathic personality, but a confident manner and a smooth
delivery can fool a lot of the people a lot of the time.
Most of us, however, get very uncomfortable about
the whole thing well in advance. Will we get caught? Are we doing a bad thing?
Is it too blatant? Does it sound plausible? What if we start sweating and
stammering like that other time?
Once you allow doubts to creep in, the dread of
being found out can very easily become a self-fulfilling prophecy.
So, what makes a good lie?
Well, you have to sound like you mean what you say.
The less sure someone sounds about what they’re
saying, the less convincing they’ll be. The more they hesitate and dither and
beat around the bush, the less inclined anyone will be to believe them,
regardless of the veracity of what they’re saying.
On the other hand, ever ask someone a simple
question and get a long, involved answer with lots of exact dates and times? It
may feel like providing all possible details will make for a more convincing
case but it usually ends up sounding like a desperate cover-up.
A person telling the truth can only tell you what
happened to them as they experienced it. It’s not The Truth they’re telling
you, it’s their truth.
A person telling a lie may need to invent things
and keep stuff hidden, but they don’t need to provide evidence from independent
sources, they only need to relay their own personal view of how things panned out.
Telling a story from that one persistent perspective makes it a lot easier to believe.
A clever liar will put themselves inside their
invented scenario and treat it like a real one, not just in terms of what they
know, but also in terms of what they don’t.
And even though a liar may be forced to make stuff up,
it helps to use as much of the truth as possible. They will surround the made-up
stuff with undisputable facts. Even the most outrageous lie can seem plausible
if everything leading up to it makes perfect sense. The more convincing the whole,
the less obvious the flaws.
Or, to put it another way, write what you know to be
absolutely true and you’ll be able to slip in all sorts of flights of fancy without
raising any eyebrows.
Ultimately, the person who can fool a lie detector
is the person who believes their own lie. While self-belief is a key component
in making a story sound real, it can be a two-edged sword. There are plenty of
people who only manage to convince one person of their nonsense, and that’s
themselves.
Not of much use to fibbers or scribblers.
You need to be able to gauge the response to your
words. This is obviously a lot more immediate for a liar who can see suspicion
blossom in their victim’s face and make the appropriate adjustments to their
fabrications.
For a writer it takes a little outside help. If you
possess complete confidence in what you’ve written then you have every right to
ignore everyone else’s opinions. But it usually pays to at least be aware of
why certain things might be proving problematic for some people.
Sometimes it’s the part of the story that happened
for real that draws suspect glances, makes no difference. There’s no point
being honest if no one believes you.
Feedback won’t necessarily tell you how to fix your
story but it will tell you which areas need work, the rest is up to you. And
since most liars don’t get a second chance, it’s an opportunity worth taking.
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Over at Write To Done they're holding nominations for the best writing blogs of 2013. I was fortunate to be one of the winners last year (thanks to those who nominated me, hope you'll consider doing the same again). Please take a moment to leave a comment HERE for your favourite writing blog of 2013.
30 comments:
I am not a good liar. Just doesn't come natural. Can't fake enthusiasm either. But for writing, it's a necessity to learn for the characters' sakes.
I'm a terrible liar. Ironically, my narrator is a very good one. I think it's important to spend a lot of time crafting your characters and making them believable, even if they're the opposite of who you are.
I'm definitely not a good liar myself, but you're right about them being confident - I've seen them in action and I can still pick them out, most of the time. :)
@Alex - writing about events that didn't happen to characters who don't exist is all the lying I want to do.
@Sarah - believable is much more important than real or true, although there's no reason why you can't have all three.
@Kimberly - you can get away with a lot just by acting like you're right. Can be tiring to be around those people, though.
Being a perfect liar, can absolutely assist, but enthusiasm is key for getting as many on board with your story as possible.
@Karen - I think a story can benefit from both.
Congrats on the nomination. Interesting about the liar comparison. I guess the bottom line is intent, huh?
Great post and so true!!
@Donna - I was nominated last year, haven't been nominated this year.
@Samya - thanks.
I've never thought of it that way. I usually think of it as acting and improvisation. Sounds much nicer than that I'm really good at lying. lol I love the Pinocchio pic! :-)
@Lexa - if anyone's good at lying it's an actor. They should give the Oscar to liar of the year (and best supporting liar).
Very nice post, Moody, with many great points. I especially liked this one:
"A clever liar will put themselves inside their invented scenario and treat it like a real one, not just in terms of what they know, but also in terms of what they don’t."
M.L. Swift, Writer
Well that's it then, I need to quit! I'm a rotten liar. The guilt always reveals my lie in he end. :(
Nope, can't lie. BUT I have one heck of an imagination, and therein lies the real power of storytelling if you ask me. :)
I subscribe to Maya Angelou's edict: Tell the truth without telling the facts.
@ML - thanks very much.
@Shah and @Crystal - it's not so much the lying as the techniques used by liars that can prove useful.
@Lisa - I'm not entirely sure what that means, which is pretty much how I feel about all of Maya Angelou's writing (my fault more than hers, I'm sure).
It's like that Neil Gaiman quote that goes something like, "A reader who tells you how to fix everything is almost always wrong, but a reader who tells you what to fix is almost always write." Something like that.
Sarah Allen
(From Sarah, with Joy)
@Sarah - i think it's more along the lines of someone who tells you something doesn't work it nearly always right, when they tell you how to fix it they're nearly always wrong. (I could be wrong).
Embellishers of the truth. My kids are great at that! They start with a premise I know or believe is true and add stuff to it in such a convincing way that I don't know whether to believe them or not. But I want to believe them. And they want me to believe them. It's a great skill to have. I've always been more unsure of myself in real life. I think I'm more convincing on paper.
"A clever liar will put themselves inside their invented scenario and treat it like a real one, not just in terms of what they know, but also in terms of what they don’t."
And that's where the parallel between being a good liar and a good writer is complete in my estimation. :)
Unless you're writing academically, it's unlikely you'll posses in-depth knowledge of the things you write about. So you have to sell what you do, and mask what you don't--all with a slide of hand. There's a writer/magician comparison in here somewhere as well. :)
You're THE writing blog in my opinion, so of course I'll jump over and cast my vote for you.
Kim - kids, you can't trust 'em.
@EJ - thanks very much, greatly appreciated.
My first novel was/is called 'A Good Liar': I liked the ambivalence, and it works well, I think
@sutton.ruth - sometimes lying is the best way to get to the truth. And sometimes it's just someone trying to pull a fast one (which can at least be entertaining).
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