Ebook Evolution

Personally I don’t believe you need to win the reader over with your first line or your first page. I don’t buy a book sight unseen, start reading without knowing what it’s about, and if I’m unimpressed by the first 250 words, chuck it in the bin.

The only people who read like that are agents.

Not that I’m not fussy about what I read. I may skim through boring bits, or give up on a well written book if it annoys me with its subject matter or unconvincing characters. But I’m not so demanding that I expect immediate brilliance from word one.

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Drama Is Not Optional

Drama is the key ingredient to all stories.

Drama is wanting something you don’t have (or have and don’t want).

The harder the journey, the obstructions, the opposition, the greater the drama.

If people tell you your story isn’t dramatic enough, it probably means things are either too easy for the character, or what they are in pursuit of doesn’t seem worth the effort.

An easy way to make things more dramatic is to raise the stakes. More to lose, more drama. Harder to get, more drama. Better opposition, better drama.

However...

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Coincidence Is Part Of Storytelling

Coincidence is an important part of most stories. People have to meet, things have to happen at the appropriate time, connections need to be made.

In some cases ridiculous coincidences that would never happen in real life are the only way to make a story work in a satisfying manner. The need for fantasy/wish fulfilment in storytelling is a very strong instinct within all of us. It’s why we like stories in the first place.

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Backstory Delayed Gratification

Every story needs some background information. You can’t write down every important thing that happens to a character as it happens. Some of it has to be an event in the past recalled in the present. Backstory is a necessity.

It's possible to have a backstory that is so fascinating you can start the story with a birth certificate and a list of schools attended, and every date and childhood trauma is of vital importance. But most backstories are not that captivating.

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An Author's Art

There are some works of art that you will love. You can see why this book or film or painting or whatever has the reputation it has. You feel it.

Then there those things that are admirable, that are impressive, but your appreciation is detached and objective. You get it, but you don’t feel it.

And of course there are some works or art you have no idea what all the fuss is about. That’s natural—after all, art is subjective and we all have our own preferences.

When it comes to making art—in the case of myself and most of the readers of this blog that art being in the form of the written word—what kind of art do you want to make?

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Does Everyone Have A Novel In Them?

It seems like everyone wants to be a writer these days, but do they all have a story worth telling? The short answer is yes. I believe that with no doubt whatsoever.

However, it may not be the story they’re actually writing. Many writers shy away from the really interesting stuff they could tell because it’s just too damn uncomfortable for them. And then even when they do pick the perfect tale, they can still screw it up in the telling.

But I believe anyone can come up with something that’s interesting enough to share with the world at large.

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Putting More Into Your Writing

When you write, whether it’s a short scene or a whole chapter, you usually have a rough idea of what you want to achieve. You may not know exactly how things will play out, but there’s going to be something the scene will be based on, even if it’s only that two characters will get together and chat.

As a reader you don’t need to bother too much about what is immediately apparent in a story and what becomes apparent over time. It will churn around in your mind and your subconscious will make of it what it will. Different people will intepret it in different ways. However, as a writer, you need to be aware of everything going on because you’re the one who has to put it there.

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Bad Advice For Writers

Most advice given to writers is generic and basic. This is because most aspiring writers make the same basic mistakes. But then most aspiring writers never finish the story they're writing. And most of the ones that do finish, never get round to doing a rewrite. And if you happen to be one of the few who do manage to persevere and are serious about producing a book worth reading (and buying) then, by definition, you aren’t most people.

When you follow generic advice your writing most likely will become better than it was, but that doesn’t mean it’s as good as it could be. Once you reach a certain level you need specific advice. Specific to your writing. And there aren’t people qualified to give you that advice. 

For example, flowery, repetitious description is annoying and distracting to read, but that’s when it’s done badly. It is very difficult to show someone how to do it better. It’s very easy to tell them not to do it at all. But that may be the kind of writing they love to write. How can you help them then?

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How To Find Your Writing Muse

If you’re lying awake in bed, and you look over at your sleeping partner with their tongue hanging out, snoring, making odd farty noises, and your heart starts beating faster and you think, “Of course! What a brilliant idea for a horror story,” then congratulations, you have a genuine muse on your hands.

Sadly, that’s not the case for everyone. Having someone who can inspire great ideas and put thoughts in your head that lead to marvellous stories is something we would all love, but the muse as an independent being who feeds out creativity is a rare and unreliable creation.

So where can you go for a refill when your well runs dry?

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Writing The Other Scene

In every story there are scenes, maybe whole chapters, where it’s all happening. Action, drama, twists and surprise revelations. Hearts are broken, villains behave in dastardly fashion and a hero triumphs. You love writing it, and you know the reader will love reading it.

And then there are the other scenes.

The scenes that serve a purpose. Necessary. Connecting. Functional. Making those scenes come alive is not so easy. In fact it often feels like the best thing to do is make them as plain and straightforward as possible, so you’re in and out nice and quick. Which is an excellent way to bore the reader. 

So how do you make sure you don't do that?

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