Whether you’re a dedicated
outliner or you wing it with no idea where your story might take you, the first
complete draft you produce will have problems.
A lot of the time you will know
a section isn't working before you even reach the end of the paragraph. Just not good enough.
You can
stop and fret and worry about how to make it better, or you can keep going.
Unless you are some kind of
genius (and I’m going to assume you aren’t), there will be parts of your story
that don’t satisfy you. For me these tend to be: weak endings, meandering
middles, characters who spend too much time doing nothing, plot holes, scenes
with predictable things happening in obvious fashion.
I can see these things
immediately. I don’t need to wait for a third party to indicate where the
problems are, I already know. Often there will be whole scenes missing where I
know the sort of thing I want to happen, but no ideas how to write it, so I’ll
put in a place-holder that says something like: Jack escapes from prison in a
surprising way.
As soon as you get to the end of
a first draft and have a complete story, the usual advice is to put it in a
drawer for a few weeks. Get away from the words you’ve been spending all your
time with. When you take it out again, you will do so with fresh eyes and a
much better judgement.
This is very true, but this is
not what I do. That first run from beginning to end never produces a solid
manuscript (and I outline fairly extensively). Because my main focus is getting
to the end as quickly as possible, I don’t bother pausing for corrections or
improvements. Even if things clearly don’t work and definitely won’t make it to
the final draft, I don’t care. Onwards!
Then, when I get to the end (a
great moment no matter how crappy the draft), I immediately go back to the
start and read it through marking up the spots that I ignored first time round.
These sections get a bit more thinking time so that they feel more complete. They
still might not be great, but they at least make sense.
The reason I do it this way is
because if I don’t push myself to get through to the end I can easily get
side-tracked into dwelling on a scene for days on end. But with a complete
manuscript I have a much better idea of the story. Where it’s going, who it’s
about. And then I have something to work from with the sections that were
giving me trouble.
Until I have a manuscript I am
willing to show other people, I don’t consider what I have to be even a first
draft. It’s Draft Zero.
And the great thing about Draft
Zero is that I fully accept it will be terrible. Absolutely awful. Huge chunks
of it will be going straight in the shredder. And that takes off a lot of
pressure. No one else will see it, nothing is set in stone, the process from there to a proper first draft will be
nothing but improvements.
Whether you are a plotter or a
pantser, giving yourself permission to write stuff that isn’t going to be good
enough straight off, and being open to changes that make it better, is very important
to the writing process.
If you found this post useful please give it a retweet. Cheers.
*
This post first appeared April 2012. Mooderino will post something new in January (probably).
15 comments:
I remember this post when you first put it up, and since I've adopted the term, 'draft zero,' in fact, it seems I've been stuck in draft 0 for quite some time....Happy holidays, moody. Hope it's full of cheer and chocolate and alcohol. At least that's what I'm hoping for, I don't see how I'm going to get through the rest of this blasted year without said items. See you next year. :)
Draft zero is a perfect word for it. I'm getting better at NOT showing people draft zero. It's still a work in progress though! :)
Hi Moody, Draft Zero is the perfect word for it. My first draft is just me and the story. With each successive rewrite, the story begins to take shape and make sense.
Happy Holidays, Merry Christmas and a Very Happy New Year to you!
It is possible to write a clean first draft. I remember on an early project running into a scene where I couldn't figure out how to fix it. I decided to leave it for later, but the lack of a fix rippled through the entire story, causing a much bigger issue. On my last one, if I ran into problems as I wrote, I fixed them in creative mode. I also moved around a lot in the manuscript, making creative adjustments to the story keep it doing what I needed. Fastest time I ever wrote, and now it's just fix any really dumb stuff.
I definitely have a Draft Zero. I was about to give up, it feels good to know I'm not the only one to have a Draft that can't be called "First" :)
I usually have to go through several passes of my story before I hit draft zero. :)
I've tried using placeholders to skip over rough spots, but as soon as I move on to subsequent chapters, I'll begin to have ideas for fixing that place holder, and if I don't go back and toy with them right there and then, I risk losing the idea. My approach at the beginning is very helter skelter.
It used to take me forever to finish a draft because I kept stopping to revise it before I finished the first draft. Now, like you, I just write until I get to the end, and then I go back and revise. It's easier and more effective that way.
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